So, Roger Daltrey plays Tommy in aid of the Teenage Cancer Trust. Not quite as good as if The Who were playing, but a fair substitute.
Good performance - easy money on the "bet" front (Pete Townshend shows up for Acid Queen and Baba O'Riley) and a worthy cause.
Setlist
Overture
It's a Boy
1921
Amazing Journey
Sparks
Eyesight to the Blind
Christmas
Cousin Kevin
Acid Queen (with Pete Townshend)
Do You Think It's Allright
Fiddle About
Pinball Wizard
Doctor Jimmy
Go to The Mirror
Tommy Can You Hear Me
Smash The Mirror
It's a Boy
I'm Free
Miracle Cure
Sensation
Sally Simpson
Welcome
Tommy's Holiday Camp
We're Not Going to Take It
+
Days Of Light
Pictures of Lily
My Generation
I Can See for Miles
Young Man Blues
Baba O'Riley (with Pete Townshend)
Without Your Love
Friday, March 25, 2011
Saturday, January 29, 2011
Elton John & Ray Cooper - Friday 28th January - Royal Opera House
Elton has done a few of these "smaller" shows recently - Obviously the one I went to at the Roundhouse last year, but also the Union Chapel in Islington. This one at the Royal Opera House was a benefit for the Royal Society of Music (Elton is a patron) and featured percussionist Ray Cooper who I hadn't seen for years. Not being able to afford the 4 figure stalls seats (!) we were really "up in the gods". And - huge mistake - picked the wrong side of the venue, meaning we couldn't actually see Elton as he played the Piano!
I'm not going to go into too much depth, but it was pleasant enough, but some of the lesser known numbers weren't up-tempo enough for my liking. Ray Cooper was his normal excellent self (and from our distance still looked the same as 20 years ago) - and he provided the most amusing moment when he "forgot" to bang the massive gong which had taken hours to set up!).
Not quite enough to hold my full attention for the 2 hr show though. Mental note to self - "Go to see Elton when he has the full band"
Setlist
Elton Solo
Sixty Years On
The Greatest Discovery
When Love Is Dying
I Guess That's Why They Call It the Blues
Rocket Man (I Think It's Going to Be a Long, Long Time)
Never Too Old (To Hold Somebody)
Philadelphia Freedom
Your Song
+
Elton with Ray Cooper
Funeral for a Friend / Tonight
Better Off Dead
Levon
Gone to Shiloh
Indian Sunset
I Think I'm Going to Kill Myself
Sorry Seems to Be the Hardest Word
Take Me to the Pilot
Don't Let the Sun Go Down on Me
Bennie and the Jets
Crazy Water
+
Elton Solo
Candle in the Wind
I'm not going to go into too much depth, but it was pleasant enough, but some of the lesser known numbers weren't up-tempo enough for my liking. Ray Cooper was his normal excellent self (and from our distance still looked the same as 20 years ago) - and he provided the most amusing moment when he "forgot" to bang the massive gong which had taken hours to set up!).
Not quite enough to hold my full attention for the 2 hr show though. Mental note to self - "Go to see Elton when he has the full band"
Setlist
Elton Solo
Sixty Years On
The Greatest Discovery
When Love Is Dying
I Guess That's Why They Call It the Blues
Rocket Man (I Think It's Going to Be a Long, Long Time)
Never Too Old (To Hold Somebody)
Philadelphia Freedom
Your Song
+
Elton with Ray Cooper
Funeral for a Friend / Tonight
Better Off Dead
Levon
Gone to Shiloh
Indian Sunset
I Think I'm Going to Kill Myself
Sorry Seems to Be the Hardest Word
Take Me to the Pilot
Don't Let the Sun Go Down on Me
Bennie and the Jets
Crazy Water
+
Elton Solo
Candle in the Wind
Labels:
Elton John,
Ray Cooper,
review,
Royal Opera House
Thursday, January 27, 2011
Apart From Rod - Wednesday 26th January - Half Moon, Putney
Another trip to Putney and an enjoyable evening of Rod Stewart's early hits played by the original touring band from the era. Had a nice chat with Jim Cregan afterwards who seemed a very pleasant chap. Also spotted Queen backing vocalist Zoe Nicolas enjoying the show at the front, although she turned down Robert Hart's offer of a duet for "Stay With Me".
Friday, January 14, 2011
Killing Cancer Concert - Thursday 13th January - Hammersmith Apollo
When tickets went on sale for this, my immediate thoughts were:
So we got in quite early to nab a standing spot and were quite please with the view, standing about 4 feet from people who had paid considerably more for the luxury of a seat. The early entry to the venue managed to confuse me enough that I knocked a substantial amount of beer out of the hand of a fellow punter as I swung 'round to talk to someone. Cue a trip to the bar to buy him a replacement!
Anyway - the show. Due to start at 7:30, it kicks off at 7:45 with an intro from Harvey Goldsmith. After that and a few videos it's time for some music. I've never been a fan of Richard Ashcroft and the 4 acoustic numbers he performed here were never likely to change my mind. Competent, but forgettable.
Roger Daltrey and band then appeared for a couple of obscure Blues numbers. Now I would happily watch Roger perform any stuff he wanted, but a full set of this style would be a bit challenging. Still, 2 songs worth was fine and a bit different.
We'd speculated on the acoustic numbers Bryan Adams would play on the back of his recent "Bare Bones" tour and he opted for a few old favourites like Cuts Like A Knife and Straight From The Heart as opposed to maybe more obvious hits. Still, after a quiet start, the audience seemed to like him. He also invited a beneficiary of the charity (who's name he mixed up with the Teenage Cancer Trust (!)) to come and duet on "When You're Gone" which was a nice touch.
Then an interval followed by Jeff Beck. Mr Beck was on fine form. Backed by the rest of the Who's band (ie no Daltrey or Townshend), the highlight for me was an excellent "A Day In The Life". Then Debbie Harry pops up for Heart of Glass and Call Me which I bet Mr Beck has never played before. Still, this was excellent and Debbie was in good voice. After another Blondie number it was time for the main event - The Who.
This is who nearly everyone had come to see and a storming trio of numbers kicked things off - Townshend on great form and Daltrey's voice strong.
Sadly as Won't Get Fooled again ended, off went Townshend and we got some more blues from Daltrey and Beck.
The Ensemble all re-appeared (minus Ashcroft) for a lengthy "Join Together" with Daltrey and Adams swapping lead vocals. And then off they went. H'mm wait a minute - it's only 10:25 (ticket said 11pm curfew). As the crowd yelled for more, Harvey came back, said goodnight and the house lights came up. Now don't get me wrong, the show was really good, but if you are paying £130 as many did, is it not reasonable to expect more than 21 songs over 2.5 hrs? Or at least more than 4 from the Headliners?
If I'm being unfair there and Townshend's hearing problems were shortening things, then 1 or 2 more songs from each of Ashcroft, Adams, Harry & Beck would have spun things out to an acceptable degree. So, despite a feeling of being sold slightly short, the excellence of what we did see outweighed the negatives.
Let's hope for a full Who show sometime soon.
Setlist
Richard Ashcroft
Sonnet
Space And Time
Lucky Man
History
Roger Daltrey
Freedom Ride
Gimme A Stone
Bryan Adams
Run To You
Cuts Like A Knife
When You’re Gone (Duet)
Straight From The Heart
Jeff Beck
Beck's Bolero
Hammerhead
A Day In The Life
Jeff Beck & Debbie Harry
Heart of Glass
Call Me
Debbie Harry
One Way Or Another
Who
Baba O’Riley
Who Are You
Won’t Get Fooled Again
Roger Daltrey & Jeff Beck
I’m A Man (Mannish Boy)
Ensemble
Join Together
- Got to go to that. 2 of my all-time favourite artists (The Who & Bryan Adams) plus 2 others I like (Debbie Harry and Jeff Beck).
- It's at the best venue in London - yippie
- It's on a Thursday night and I'm free
- It's for a good cause
- And .... it's how much !!!?
So we got in quite early to nab a standing spot and were quite please with the view, standing about 4 feet from people who had paid considerably more for the luxury of a seat. The early entry to the venue managed to confuse me enough that I knocked a substantial amount of beer out of the hand of a fellow punter as I swung 'round to talk to someone. Cue a trip to the bar to buy him a replacement!
Anyway - the show. Due to start at 7:30, it kicks off at 7:45 with an intro from Harvey Goldsmith. After that and a few videos it's time for some music. I've never been a fan of Richard Ashcroft and the 4 acoustic numbers he performed here were never likely to change my mind. Competent, but forgettable.
Roger Daltrey and band then appeared for a couple of obscure Blues numbers. Now I would happily watch Roger perform any stuff he wanted, but a full set of this style would be a bit challenging. Still, 2 songs worth was fine and a bit different.
We'd speculated on the acoustic numbers Bryan Adams would play on the back of his recent "Bare Bones" tour and he opted for a few old favourites like Cuts Like A Knife and Straight From The Heart as opposed to maybe more obvious hits. Still, after a quiet start, the audience seemed to like him. He also invited a beneficiary of the charity (who's name he mixed up with the Teenage Cancer Trust (!)) to come and duet on "When You're Gone" which was a nice touch.
Then an interval followed by Jeff Beck. Mr Beck was on fine form. Backed by the rest of the Who's band (ie no Daltrey or Townshend), the highlight for me was an excellent "A Day In The Life". Then Debbie Harry pops up for Heart of Glass and Call Me which I bet Mr Beck has never played before. Still, this was excellent and Debbie was in good voice. After another Blondie number it was time for the main event - The Who.
This is who nearly everyone had come to see and a storming trio of numbers kicked things off - Townshend on great form and Daltrey's voice strong.
Sadly as Won't Get Fooled again ended, off went Townshend and we got some more blues from Daltrey and Beck.
The Ensemble all re-appeared (minus Ashcroft) for a lengthy "Join Together" with Daltrey and Adams swapping lead vocals. And then off they went. H'mm wait a minute - it's only 10:25 (ticket said 11pm curfew). As the crowd yelled for more, Harvey came back, said goodnight and the house lights came up. Now don't get me wrong, the show was really good, but if you are paying £130 as many did, is it not reasonable to expect more than 21 songs over 2.5 hrs? Or at least more than 4 from the Headliners?
If I'm being unfair there and Townshend's hearing problems were shortening things, then 1 or 2 more songs from each of Ashcroft, Adams, Harry & Beck would have spun things out to an acceptable degree. So, despite a feeling of being sold slightly short, the excellence of what we did see outweighed the negatives.
Let's hope for a full Who show sometime soon.
Setlist
Richard Ashcroft
Sonnet
Space And Time
Lucky Man
History
Roger Daltrey
Freedom Ride
Gimme A Stone
Bryan Adams
Run To You
Cuts Like A Knife
When You’re Gone (Duet)
Straight From The Heart
Jeff Beck
Beck's Bolero
Hammerhead
A Day In The Life
Jeff Beck & Debbie Harry
Heart of Glass
Call Me
Debbie Harry
One Way Or Another
Who
Baba O’Riley
Who Are You
Won’t Get Fooled Again
Roger Daltrey & Jeff Beck
I’m A Man (Mannish Boy)
Ensemble
Join Together
Sunday, January 02, 2011
Best & Worst 2010
Happy New Year to all.
Here's my annual look back over the year from a "best of" and "worst of" perspective of the 31 gigs seen during 2010 (ironically - exactly the same number as last year!)
Best Gigs 2010
1: Belinda Carlisle - Jazz Cafe
Forget the fact that this was "acoustic", this was Ms Carlisle at her most enchanting.
2: Francis Rossi - Her Majesty's Theatre
Unexpectedly good!
3=: Bachman & Turner - Relentless Garage
3=: Cheap Trick - Shepherd's Bush Empire
Always good when acts who you don't know that well put on a great show!
Most Disappointing Gigs 2010
1: Band of Skulls - Electric Ballroom
I wasn't expecting much and I didn't get it!
2: Leon Russell - Jazz Cafe
Sound problems on the vocals made this much anticipated show a bit of a let down.
3: Sheryl Crow - Borderline
Could have been so much better!
"honourable mention" to "Plan B" for the worst performance of this year (or pretty much any other) when guesting with Elton John. I still can't quite describe how painful it was!
Best Venue 2010
1: Forum, Kentish Town.
2: Borderline
No gigs at the Hammersmith Apollo robs it of its normal top spot!
Worst Venue 2010
1: Roundhouse
(I know it's iconic, but a few more toilets and a chance of getting to an outside bar surely isn't too much to ask!)
Interesting that I have managed to avoid the O2, Wembley and Hammersmith for the whole of 2010. Can't remember the last time that would have happened. Must be the cost of the shows there!
Good in 2010
1: Less and and less drunks at gigs. Mind you with the bar prices as they are that's no surprise.
2: Local Bands. Great shows (and good value) from the likes of "The Mods", "Apart from Rod" etc.
Bad In 2010
1: Prices. Surely there will be a point where more people say "no thanks".
2: Merchandise quality just isn't tempting enough still for most artists.
Have a great 2011!
Here's my annual look back over the year from a "best of" and "worst of" perspective of the 31 gigs seen during 2010 (ironically - exactly the same number as last year!)
Best Gigs 2010
1: Belinda Carlisle - Jazz Cafe
Forget the fact that this was "acoustic", this was Ms Carlisle at her most enchanting.
2: Francis Rossi - Her Majesty's Theatre
Unexpectedly good!
3=: Bachman & Turner - Relentless Garage
3=: Cheap Trick - Shepherd's Bush Empire
Always good when acts who you don't know that well put on a great show!
Most Disappointing Gigs 2010
1: Band of Skulls - Electric Ballroom
I wasn't expecting much and I didn't get it!
2: Leon Russell - Jazz Cafe
Sound problems on the vocals made this much anticipated show a bit of a let down.
3: Sheryl Crow - Borderline
Could have been so much better!
"honourable mention" to "Plan B" for the worst performance of this year (or pretty much any other) when guesting with Elton John. I still can't quite describe how painful it was!
Best Venue 2010
1: Forum, Kentish Town.
2: Borderline
No gigs at the Hammersmith Apollo robs it of its normal top spot!
Worst Venue 2010
1: Roundhouse
(I know it's iconic, but a few more toilets and a chance of getting to an outside bar surely isn't too much to ask!)
Interesting that I have managed to avoid the O2, Wembley and Hammersmith for the whole of 2010. Can't remember the last time that would have happened. Must be the cost of the shows there!
Good in 2010
1: Less and and less drunks at gigs. Mind you with the bar prices as they are that's no surprise.
2: Local Bands. Great shows (and good value) from the likes of "The Mods", "Apart from Rod" etc.
Bad In 2010
1: Prices. Surely there will be a point where more people say "no thanks".
2: Merchandise quality just isn't tempting enough still for most artists.
Have a great 2011!
Monday, December 20, 2010
The Quireboys - Saturday 11th December - Forum, Kentish Town
![]() |
| Spike in typical pose |
The venue was only half full, giving easy access to an excellent view a few rows back in our normal "front-left" position. Last time we saw the Quireboys they were doing an acoustic set and I was pleased to be able to grab a copy of the limited edition of 1000 signed double CDs from that mini-tour. Tonight was plugged in and, as normal, was a belter of a show. Starting with ""Hoochie Coochie Man" / "Mayfair", the band rocked through nearly all of their favourites in a 2 hour set. The 11:20 finish meant a late return home, but the show was well worth that. Perhaps not surprisingly I felt a lot better by the end than I had at the start. A great gig to finish the year!
Setlist (need confirmation please!)
Hoochie Coochie Man
Mayfair
C'mon
Man on the Loose
There She Goes Again
Tramps And Thieves
Mona Lisa Smiled
Roses And Rings
I Love This Dirty Town
Ode to You (Baby Just Walk)
The Finer Stuff
Lorraine Lorraine
Searching
This Is Rock 'N' Roll
Hey You
Whippin' Boy
Sweet Mary Ann
Misled
7 O'Clock
+
I Don't Love You Anymore
Sex Party
Labels:
Dan Reed Network,
Forum,
Kentish Town,
Quireboys,
review
Tuesday, December 07, 2010
The Mods - Saturday 4th December - Half Moon, Putney
The snow and ice meant a late cancellation of what I had planned for Saturday, so I took the opportunity to pop down to Putney for the Mods, who were billed as performing The Who's Quadrophenia. Unfortunately, due to the drummer (Johnny Marter?) being indisposed, the short notice replacement didn't know all the material, so that didn't happen.
No matter - he knew a sufficient selection of other Who material to more than make up for that. Starting with A Legal Matter and moving through all sorts - Pictures of Lily, 5:15, The Kids Are Alright, Can't Explain, Substitute, The Seeker, I'm A Boy, Summertime Blues and many more - the band were on excellent form. An interesting version of Young Man Blues segued the Jazzy style of Mose Alison's original with the Who's powerhouse version. I particularly enjoyed Pinball Wizard with the guitar intro played at the start and the "Elton John" piano solo played midway through by the excellent Mickey Simmonds.
There were a couple of non-Who tracks - Argent's Hold Your Head Up and Led Zeps Kashmir plus the Kingsmen's Louie Louie (from Quadrophenia) as an encore. Surprised it wasn't busier - blame the weather I guess, but a good night in the company of fantastic musicians.
No matter - he knew a sufficient selection of other Who material to more than make up for that. Starting with A Legal Matter and moving through all sorts - Pictures of Lily, 5:15, The Kids Are Alright, Can't Explain, Substitute, The Seeker, I'm A Boy, Summertime Blues and many more - the band were on excellent form. An interesting version of Young Man Blues segued the Jazzy style of Mose Alison's original with the Who's powerhouse version. I particularly enjoyed Pinball Wizard with the guitar intro played at the start and the "Elton John" piano solo played midway through by the excellent Mickey Simmonds.
There were a couple of non-Who tracks - Argent's Hold Your Head Up and Led Zeps Kashmir plus the Kingsmen's Louie Louie (from Quadrophenia) as an encore. Surprised it wasn't busier - blame the weather I guess, but a good night in the company of fantastic musicians.
Monday, November 29, 2010
Jackie Lynton - Saturday 28th November - The Wheatsheaf, Parsons Green
Back to back gigs and off to Fulham for a couple of beers and a gig. Some nice German Pilsner in the Octoberfest Pub was followed by and outrageous £4.60 for a pint of Pilsner Urquell in the "Fulham Mitre" - that cannot be justified!
The Wheatsheaf had Estrella on draft - very nice and a comparative bargain (yeah, right) at £4. Luckily, the gig was free and Jackie and his band romped through 3 sets over a 2.5 hour period, playing their normal mix of rock and roll covers, blues, originals (Rock and Roll Whiskey Blues) and some old favourites (Rockin' All Over The World / Caroline / Again and Again). Loved Jackie's comment during the Again and Again snippet - "I wrote this one.....").
Still not too sure why they were so far from "home turf" in Mid-Surrey, but a nice evening in a decent pub with good music. Rather scary that it's nearly 24 years since I first saw him in the Kings Head in Putney!
The Wheatsheaf had Estrella on draft - very nice and a comparative bargain (yeah, right) at £4. Luckily, the gig was free and Jackie and his band romped through 3 sets over a 2.5 hour period, playing their normal mix of rock and roll covers, blues, originals (Rock and Roll Whiskey Blues) and some old favourites (Rockin' All Over The World / Caroline / Again and Again). Loved Jackie's comment during the Again and Again snippet - "I wrote this one.....").
Still not too sure why they were so far from "home turf" in Mid-Surrey, but a nice evening in a decent pub with good music. Rather scary that it's nearly 24 years since I first saw him in the Kings Head in Putney!
Labels:
Jackie Lynton,
Parsons Green,
review,
The Wheatsheaf
Sunday, November 28, 2010
Apart From Rod - Saturday 27th November - Sutton United Boom Boom Club
Many years ago, long before inflicting his 5 "Great American Songbook" albums on the World, Mr Rod Stewart was one of the foremost Rock and Pop vocalists in the World. Post Faces, his 70's albums are rightfully noted for containing some classic material. Amongst the people who helped write and played on this material in both studio and on stage were Jim Cregan and Gary Grainger.
Jim and Gary have formed "Apart From Rod" to showcase much of this classic material, joined by another couple of recognisable names - Robert Hart on Vocals (Ex Bad Company), Harry James on Drums (ex Thunder and currently Magnum), Pat Davey on Bass(ex Tom Robinson Band) and Keyboard wizard, Sam Tanner.
So lots of people we've seen before separately and know are good. Unfortunately, Gary Grainger wasn't available, but we were treated to another member of the Rod Stewart Band, Robin Le Mesurier stepping in at the last minute who was an excellent substitute.
There's no doubting the bands ability and in Robert Hart, they are lucky to have one of rock's finest vocalists (amazing that Bad Company ended up with 2 so good - with Paul Rodgers obviously the other). A great evening of 70's classics followed - with a few anecdotes thrown in, highlights being Cregan's solo in "I Was Only Joking", the Piano on Twisting The Night Away, You're In My Heart and a stomping "Stay With Me" (with Val from Bad Influence on additional vocals). I'll even forgive (just!) the inclusion of a drum solo (as it was Harry) and the amazing fact that Robert Hart didn't know the words to "Sailing".
A really good night out - will certainly look to see them again.
Jim and Gary have formed "Apart From Rod" to showcase much of this classic material, joined by another couple of recognisable names - Robert Hart on Vocals (Ex Bad Company), Harry James on Drums (ex Thunder and currently Magnum), Pat Davey on Bass(ex Tom Robinson Band) and Keyboard wizard, Sam Tanner.
So lots of people we've seen before separately and know are good. Unfortunately, Gary Grainger wasn't available, but we were treated to another member of the Rod Stewart Band, Robin Le Mesurier stepping in at the last minute who was an excellent substitute.
There's no doubting the bands ability and in Robert Hart, they are lucky to have one of rock's finest vocalists (amazing that Bad Company ended up with 2 so good - with Paul Rodgers obviously the other). A great evening of 70's classics followed - with a few anecdotes thrown in, highlights being Cregan's solo in "I Was Only Joking", the Piano on Twisting The Night Away, You're In My Heart and a stomping "Stay With Me" (with Val from Bad Influence on additional vocals). I'll even forgive (just!) the inclusion of a drum solo (as it was Harry) and the amazing fact that Robert Hart didn't know the words to "Sailing".
A really good night out - will certainly look to see them again.
Monday, November 22, 2010
Status Quo - Monday 15th November - Croydon Fairfield Halls
More Quo - this time in Croydon. Excellent seats (4th row, central) and another good show. A couple of changes from Southend, most noticeably replacing "Junior's Wailing" with the excellent "Don't Waste My Time" for the encore. Much, much better than last year at the same venue!
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